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##### Monophthongs
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Monophthongs have a general trend towards being open, sitting at the bottom of the mouth, save for the schwa which is central. All of these sounds are similar to the single /a/ phoneme found in other languages, such as Japanese, in for example kamikaze's /ˌkæmɪˈkɑːzi/ (also ⟨/qa/mikaze⟩ (2)) and viceversa. Also visible in taco, parmesan, aficionado, etc.
~ /æ/
¥⟨/qa/t⟩ (48), ⟨/qa/ptain⟩ (18), ⟨/qa/pitans⟩ (4), /qa/ng (7) [both gang and kang], ⟨/qa/ncer⟩ (136), ⟨/qa/ggot⟩ (68)Extremely straightforward, basically THE a-sound anyone first thinks of, it's not even necessary to provide a transcription. All closed and stressed syllables.
~ /ɑ, ɒ/
¥⟨/qa/mrade⟩ (17), ⟨/qa/id⟩ (9), ⟨/qa/di⟩ (6)I'm here bunching together the PALM and LOT/LOCK vowels, which are free and checked respectively, regardless of length because of the father-bother merger affecting a great deal of dialects, which has combined the two into an unrounded /ɑ/ that is actually moved quite a bit forward in many cases. It's
rather complicated, this video explains it alongside another intersecting merger:
https://www.youtube.com/watch?v=sALAE6iqLWkMoving on,
comrade starts with /kɒm-, kɑːm-/, depending on the dialect (like
calm). The other two words are rather obscure Arabic terms, the first one (also written as
caïd) has a hiatus in the middle as it's actually pronounced /kɑːˈiːd/ or /ˈkɑː.ɪd/, while
qadi is simply /ˈkɑːdi/.
There's also ⟨/qa/mpadre⟩ (4), Cambridge says it uses this vowel too, but according to Oxford it's a schwa. However, the former's example is /kɒm.ˈpɑː.dreɪ/ where it's clearly emphasizing all vowels as if they were free in order to imitate Spanish pronunciation and in this case I think Oxford's /kəmˈpɑːdreɪ/ with a reduced starter is more realistic. Still leaving it here as optional, though.
~ /ə/
¥⟨/qa/bal⟩ (40) /kəˈbæl, -'bɑːl/, ⟨/qa/tari⟩ (26) /kəˈtɑːri/, ⟨/qa/det⟩ (21) /kəˈdɛt/, bur/qa/ (8) /bɜː(ɹ)kə/Here, the vowel is non-negotiably a reduced schwa, sadly in two very common and characteristic words. Thankfully, we also have ⟨/qa/b(b)alist⟩ (20), where secondary stress is given to the first syllable, so it switches to /ˌkæb.ə'lɪst/, back to /æ/. Plus ⟨/qa/bal(l)ah⟩ (3) which could go either way in terms of stress placement.
~ /ʌ/
¥⟨/qa/mblr⟩ (188) /ˈkʌmblə(r)/, ⟨/qa/nt⟩ (3) /kʌnt/, ⟨/qa/ck⟩ [the bad one] (uncertain, more common as plural) /kʌk/This one may be a bit controversial. You could perfectly argue that no, it's actually one of the vowels previously mentioned above, but acoustically I see it as legit. When I said "viceversa" at the start, I did so with this one in mind because it is indeed adapted by Japs (and me) as /a/ so that cat and cut, run and ran, they sound the same. It also sits below /ə/ in a comfortably near-open position besides [ɐ] and right above [ä] that are present in very many English dialects. I consider it a valid reading given how widespread the word was, and the fact that the other two words also exist, so it's not an isolated incident.
While writing this, it dawned on me that it'd mean ⟨/qa/nny⟩ is perfectly legal. Make of that what you will.
There's also ⟨/qa/psie⟩ (7), obviously by analogy with /jp/sie which I'd assume has an /æ/ but I'm not sure honestly. Just gonna leave it on its own. Here are ones uncommon and unimportant enough to not make the cut:
~ 2-3 instances
¥/qa/mpers, /qa/racter, /qa/balleros, /qa/tamites, (c/k)um/qa/t, /qa/strati, ni(q)/qa/(r)~ 1 instance
¥ot/qa/ku, fu/qa/ps [with /ʌ/], i/qa/nas, delin/qa/nts, mendi/qa/nts, /qa/avalrymen, /qa/ucasian, /qa/ffles, /qa/ntoku, /qa/ndidates, /qa/smonauts, /qa/tastrophe, /qa/strates#####
##### Diphthongs and Triphthongs
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Compounds that either start with the glide /w/ and/or are a combination of two distinct vowels. These terms are not universally applied in this way and in many cases refer purely to vowel combinations while excluding semivowels, it generally depends on both the language in question and the author. I'm simply grouping them in this way because I find it convenient. A distinctive feature is that they allow for the presence of some close front vowels, namely /e, i, ɪ/, although there isn't much to say about them besides that.
~ ⟨/qa/lity⟩ (205) /ˈkwɒləti, ˈkwɑ(ː)-/
A classic, most common one by far. Even though it's transcribed as long (in GA but not GB, oddly enough), I see it being classified under the LOT vowel. It admittedly confuses me a bit.
~ ⟨al-/qa/eda⟩ (130) /ɑlˈkaɪdə/
Often noted to be a collective noun, one of the few that exist. Sole word featuring the PRICE vowel.
~ ⟨/qa/y⟩ (27) /keɪ/
The gay one. You gay? I'm gay, but not flamboyantly so. Uses the FACE vowel.
~ ⟨/qa/ck⟩ (uncertain, more common as singular) [the good one]
Simple TRAP vowel, /kwæk/.
~ ⟨/qa/eer⟩ (86)
In spite of having a two written vowels, it's actually a short /kwɪr/, or the gliding /kwɪə(r)/. The NEAR vowel, only known example of /kwɪ-/ in the entire corpus. Also notable in that the tetragraph lacks a nucleus.
~ Triphthongs, /kweɪ-/
There are two confirmed triphthongs I found that start with this combination, consisting of ⟨/qa/sar⟩ (12) /ˈkweɪzɑː(r)/ and ⟨/qa/ker⟩ (24) /ˈkweɪkə(r)/. They stand out to me in that unlike the above they aren't aided by any extra vowels, ⟨-a/⟩+context is doing all the heavy lifting. Pretty neat.
Honorary mention to some other marginal dipths:
¥/qa/rks (3), a/qa/men (1), a/qa/rian (1)#####
##### Japanese Loans
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I'm giving these a special spot due to the fact that loans usually have two sets of possible pronunciations: those that approximate the original, and those that better conform to local rules. Once more, borrowings overwhelmingly use the PALM or TRAP vowel depending on prosody. That said, let's get started.
Na/qa/ma (12) is in Japanese a very straightforward /nakama/ [na̠ka̠ma̠], but in naïve English I'd assume /'næk.ə.mə/, like spatula and stamina which are indeed mostly transcribed as ending in /-əCə/. ⟨/qa/waii⟩ (6) (someone wrote ⟨Kah-why-ee⟩ for the standalone) is likewise reduced to /kəˈwaɪ.(i)/ (or an exaggerated /-ɪ.iː/), which Japanese teachers usually warn to not confuse with kowai. An alternative pronunciation that tries to avoid reduction would be /kɑːwɑːˈiː/ and perhaps /'nɑːkəmɑː/, but that last one's speculation on my part. There's a ton of people using it in writing, speech not so much, it's hard to get a sample. ⟨/qa/zoku⟩ (11) most certainly has initial stress given that it's atamadaka, but I can't tell whether it'd be /kæz-/ or /kɑːz-/ though I'm leaning towards the former.
There's another one that stands out, which is ⟨/qa/mono⟩ (33). Again, Jap is very straightforward: /kemono/ [ke̞mo̞no̞]. However, this is a mid front vowel, which so far we haven't seen anywhere else. We haven't even seen /ɛ/, the DRESS vowel, which is below it and right above /æ/. From a preeliminary look at some
anitubers' pronunciation of Kemono Friends and Kemono Jihen, I have transcribed their utterances as /kə'moʊnoʊ/. In fact, in one of the reviews I looked at the auto-generated subs picked it up as
kimono, which IS INDEED HOMOPHONOUS. Hypothetically, a better speaker could say it like
chemical or something like that but at this point my faith has been depleted come on you guys. ⟨/qa/ko⟩ appears about four times too, I'm just putting that out there.
Finally, an interesting hapax legomenon I came across: ⟨ya/qa/za⟩, at No.1343584. Same story as before, Jap [ja̠kɯ̟ᵝza̠], English either /jəˈkuːzə/ or perhaps /ˈjækuːzɑː/. In both cases we'd have a genuinely fascinating case in our hands, the only attested compound where ⟨/qa/⟩ has /u/ for a nucleus.
In any case, please take this as a reminder to work on your pronunciation, onegai shimass.
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##### Others
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Let's look at another crucial entry now: ⟨/qa/tar⟩.
While ⟨/qa/tari⟩ is rather clear-cut, the root word itself is fairly problematic and has a wide range of readings. According to Cambridge and Oxford, among these are /kəˈtɑːr/, /ˈkɑːtɑːr/, /ˈkætɑːr/, /ˈkʌt.ɑːr/, and apparently some people even pronounce it with an initial /g/? A speaker of I believe Northern American English was surveyed on this matter and his answer was "kwaytar," like ⟨/qa/sar⟩ above. This shameful display of illiteracy not only does not help us, it makes everything worse, although it serves as a good display of how irregularly the word gets read.
Really, I'm just... not gonna look into Gulf Arabic for the sake of a word whose actual pronunciation absolutely no one knows, I'll pass on that one. It's shame, but it simply can't be helped.
~ ⟨/qa/ddit⟩ (
503)
Special shoutout to this one because it was insanely popular, and honestly I'm a bit baffled by how it's supposed to be pronounced. In thread No.944186, ⟨qua-dit⟩ and ⟨kwadit⟩ are suggested as well as ⟨qwaddit⟩ in No.2098436, so clearly with an /kwɑ/, which makes me inclined to believe it's not at all the DRESS /ɛ/ from /ˈrɛdɪt/. Maybe it even has a checked /æ/ in its place, who knows.
~ ⟨/qa/non⟩ (419, but only 53 prior to 2020)
This one's ambiguous because it could either be k'non /kəˈnɒn/ or cue-anon /ˌkjuː əˈnɒn/ depending on whether you pronounce the initial as a standalone Q or not... but standalone has negative connotations so let's go with /kə-/.
Another ambiguous case is ⟨/qa/liph⟩, which could be pronunced with either /æ/ or /eɪ/.
Finally, I want to present a hypothetical word: *⟨/qa/rn⟩, with the /ɔ/ WAR vowel. It
feels feasible, but I don't have anything to back it up, and it might as well be pronounced with PALM same as
arm. Really, there's a lack of stressed /-r/ in general, no *⟨/qa/r⟩ or *⟨/qa/rt⟩ either.